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Initial Sketch |
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Initial sketch for An Bradán Feasa. Just a halo and a fish. |
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Sketch (3 hrs) |
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A few hours further along. Starting to turn the salmon into a zoomorph. |
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Sketch (9 hrs) |
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After six more hours, I begin to rethink the spirals a bit. |
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Sketch (14 hrs) |
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The final layout emerging, as well as the beginnings of the key pattern. |
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Sketch (24 hrs) |
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10 more hours along, and the background is done. Now to finish the salmon himself, and ink. |
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Final Cartoon |
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Final inking of pattern, with both cut and blasting lines. I was approaching this as in illumination. |
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Color/Cut/Etching Guide |
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Moved to Photoshop to test colors. Four seperate views: the cartoon, the glass alone, with leadlines, and all combined. |
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Cutting (11 hrs) |
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The fire backlit, which took and entire evening from sunset to sunrise. |
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Cutting |
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99% of the glass for the window cut, but none of the sandblasting. |
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Sandblasting |
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Close-up of the sandblasted keys and spirals below the Salmon. |
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Sandblasting |
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Wider, reflective view of just the sandblasted pieces. |
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Sandblasting (backlit) |
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Backlit view of the sandblasted pieces. |
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Glass |
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Wide shot of the entire piece under reflective light. |
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Etching |
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Close up of central sandblasting, and the hand-etched markings on the head. |
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Final Cut (backlit) |
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Wide shot of the entire window, backlit. |
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Leading |
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About to lead the very first piece of glass. |
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Leading (3 hrs) |
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A few hours into the leading process. |
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Leading (9 hrs) |
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The most detailed leading is done at this point. |
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Leading (close-up) |
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A closer view of the head and iridescent halo. |
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Soldered |
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I forgot to take more pictures. Here's the Salmon at sunrise, moments after I finished soldering. |
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